While on a visit to London earlier in the year I found The Globe theatre closed. Surprise surprise – it turned up in Melbourne. Using meticulous research including sketches like this (Czech artist Hollar -1630) one of London, together with archeological reports on the dig of the first Globe these innovative (and brave) New Zealanders […]
While on a visit to London earlier in the year I found The Globe theatre closed.
Surprise surprise – it turned up in Melbourne.
Using meticulous research including sketches like this (Czech artist Hollar -1630) one of London, together with archeological reports on the dig of the first Globe these innovative (and brave) New Zealanders created this replica.
Their dream was to see Shakespeare’s work performed in its original space, to build the worlds first full scale temporary working replica of his theatre; fill it with a festival of his masterworks and share it with as many people as possible.
And so it was that Claire and I went to see what the fuss was all about. Aside from the fact that a walk through Melbourne’s stunning gardens to reach the theatre is a treat in itself, the Pop Up Globe is enchanting; the actors quite amazing, the energy exhausting and the desire to see another production strong.
Melbourne still sparkles ❤️❤️
ps. No fruit was thrown, but rain fell – all adding to the atmosphere – almost like being in England!!!!
I had decided a long time ago that I would never pay to hear/see any of Wagner’s works. I apologise to the aficionados who ‘get him’; I mean no offence. But 15 hours for one work; too long; too loud; too many high notes; too much for me.
So it was with some chagrin and surprise that I found myself at a concert on a Friday morning (yes I have joined the ranks of the ‘seniors’), having bought a ticket to hear my beloved Beethoven, only to discover that before him, I would be listening to Wagner.
You would not have guessed it from the advertisements
So, several firsts for me today:
Real live Wagner performance
Payed for that Wagner performance
Seated alongside the orchestra instead of in front.
And after an amusing introduction by Sir Andrew Davis outlining the opera (which takes some doing!!!) we sort of understood that we would be hearing part of Gotterdammerung: Act 1 – Dawn Music and Siegried’s Rhine Journey – see even the names are long and ‘loud’ and
So it began.
And I was totally mesmerised
By the pattern
By the flow
By the enormity
By the complexity
By the sound of Wagner.
and all too soon it ended.
Admittedly there were no voices, only the large orchestra and I was so close I could read the music of the harpists below me – so it was visually fascinating too.
Just maybe, I will give Wagner another ‘go’ one day.
In the meantime I shall continue to delight in the familiar accessible glorious majestic tones of Beethoven’s Emperor Concerto which was the finale.
And NEVER disappoints.
She is so engaged with the orchestra, with the conductor, with the audience- she takes you along with her
But who is She, that I am raving about?
Anne Sophie Mutter.
Ten years younger than me. I remember the talk about this amazing musician, throughout the years while I was still trying to learn the basic Fur Elize on the piano, she was wowing the world with her artistry and at 13 was invited by Herbert Van Karajan to play with the Berlin Philharmonic !!!!!!
She owns 2 Stradivari’s – I do not know which one she used when I saw her.
Oh and she only wears Galliano outfits when she plays for comfort 🙂
And that, dear friends, was just another Friday morning in my Melbourne.